Saturday, February 14, 2009

Making Primer for Sanded Supports

Well, here's what I have been doing lately. I have been interested in preparing my own surfaces for artwork, but didn't know how to go about it until recently. I found an outstanding book on pastels that gave me a recipe for making my own primer. The book is called Painting with Pastels by Maggie Price. I have had a lot of fun making the primer. It has allowed me to make my own colors as well as have control over the amount of texture in the primer. It saves me money from having to go out and buy sanded paper all the time (although I can't see myself giving up Colourfix completely). I've been using mat board as the surface I paint the primer onto.

I use a large spoon with which to mix the primer. When I paint the primer onto the mat board, I use a foam roller rather than a paint brush. This is mostly because if I want to use pencils on it, the paint brush does not produce as even a surface as a foam roller will. These are the foam rollers I use:



First thing I do is to paint a light layer of HP gesso or Liquitex matte medium on the back of the mat board, being sure not to use too much. After the back of the board has thoroughly dried, I turn it over and mark off the part of it I want to paint the primer onto. I make various sizes, the most common being 11" x 14" and 12" x 16". To mark it off, I use blue painter's tape. I then proceed to paint the primer onto the surface, being careful not to paint beyond the blue tape (although I am not always successful). However, if I go beyond the tape, it's okay because that part will end up behind a mat anyway.

I have learned to apply the primer in thin layers or the primer will not come out with an even texture usable for pencils. It is very difficult to get an even surface on the primer if you apply it in layers that are too heavy. Make sure you let the layers dry completely before adding another layer. Generally I use only two layers. If I apply much more than that it may end up saturating the board.

After the primer dries completely, I gently peel off the tape and place the boards into resealable plastic bags. Then I set very large, heavy books on top of the boards and leave them there for several hours. This simply makes sure the board lies flat.

Here are the results:

The first mix I made came out so-so. I used 1 cup gesso, 6 tsp. pumice powder, and acrylic color. It ended up being very coarse. I tested it and found it worked fine for soft pastels, but would not be appropriate for colored pencils. I did sand down the primer a bit, but it is still quite coarse. I call this color sandy beige.



The second mixture I made was much better! I mixed 1 cup gesso, 1 tsp pumice powder, and acrylic color. It came out much finer in texture. Although I haven't tested it yet because I just mixed it this afternoon and it needs to set for a bit. I call this color sky blue.



And finally, I mixed a medium coarse primer. I mixed 1 cup gesso, 2 tsp. pumice powder, and acrylic color. This also seemed to come out well, though, again I haven't been able to test it since I just made it. I call this color Raw Sienna.



CAUTION: When handling Pumice Powder you MUST wear a NIOSH approved nuisance dust respirator mask that will not allow the fine pumice powder to be inhaled. Pumice powder is made from volcanic ash and is a cancer agent if inhaled and will cause lung damage. It is also recommended that you use the pumice in an exhausting hood or glove box. Be sure to wear gloves when handling the pumice. In addition, I have nearby a set of goggles to wear.





When mixing the pumice into the gesso, gently fold it in so as to avoid creating any dust that might become airborne. Clean up your work area thoroughly after using the pumice. Do not use near food, cups, utensils, etc. I keep any utensils I use for mixing separate from my other utensils and only use them for mixing primer, nothing else.

I hope this article has been of interest to some of you. If you have any questions, please feel free to ask.

Friday, January 30, 2009

Morning Devotions WIP 3

Here is an update on my new inspirational painting.

The yellowy area on the cup will be getting toned down a bit. Worked on the saucer quite a bit, but I can see I still need to do some more work. I'll have to go over the placemat some more on the left side. You can see where it is still so rough looking. I'm having a very difficult time trying to even coming close to filling the tooth, and I usually don't have a problem with that on sanded paper, so that tells you just how coarse this paper really is. You can see the coarseness in the close-up pic I provided. I also provided greyscales of both pics.

I still need to work just a bit more on the back part of the napkin too. Not too much, but some tweaking needs to be done there.

I have done some more on the book since the photo and I will be starting on the grapes this weekend. I didn't get too much done this week. It turns out I worked a full week afterall. Next week I'll probably have my hours cut. If so, I'll have more time to put into it.

Anyway, it's coming along. I hope to be near completion within two weeks.







Sunday, January 18, 2009

Morning Devotions WIP 2

Here's an update on this painting. It's coming along, thought I still have much to do on it. The pic is a bit blurry because it's cloudy & rainy and I didn't want to use a flash. Nothing in the painting is done yet; still working on values, colors, etc. I hope to be done soon. I don't look forward to working on the Bible. The lettering is going to be very difficult to get right, and it could cause me to mess up the entire painting! Ugh! I just realized that a competition I wanted to enter it in has their deadline next month!!

I'm still undecided on this paper. It's quite rough for pencils. I need to try it with pastels too and see what happens.

Here's the update and a smaller detail pic. In the smaller one you can see how rough the paper actually is.




Monday, January 5, 2009

New Year - New Artwork!!

Happy New Year everyone!! I hope this Christmas season has been wonderful to all of you!

I have been playing with my pastels, teaching myself how to use them. I bought about 20 pieces of Mi-Tientes paper to practice on. Here is my first practice piece. I am attempting to figure out how to layer pastels and mix the colors (and NOT get mud). This one was good practice in not getting mud. The original ref pic had a very dark, almost black background, but I didn't like that, so I changed it to this. The red in this digi pic is a bit deeper and as a whole the pic is darker than in real life, but it's very close.



I also tried another experiment. I have read so much about how pastelists hate to use a fixative on their work because it tends to change the colors but I thought I'd try it and see what would happen. In this case, I not only sprayed permanent fixative, but then got real crazy and decided to go for broke and spray varnish on it - just to see what would happen. When I spray varnish on my CP pieces, it tends to deepen the colors and bring them out more. Thought I'd see if it would do the same to the pastels. It did seem to a little. I like the result very much, but I think it worked okay for me because I really push the pastels into the paper when I blend and don't leave them sitting on top of the surface of the paper. *shrug* Don't know, but it didn't ruin it at least. :D

I am currently working on my fourth inspirational piece, but this one is special. The others I followed a ref photo, this one I created entirely on my own from scratch. I put together each item in the painting on purpose. Unfortunately, tomorrow begins two weeks of 10 hour days at work. So, I will try to update this blog as often as I can. The biggest problem I will have is being able to get good pics of the piece to post.

Here is the beginning of the piece. It is called Morning Devotions. I have a full pic and a close-up for those of you who like those. You can see how rough the paper is on the close-up.





I set this up on my kitchen table at sunset rather than sunrise (the only part of my house that gets the morning sun is my bedroom, so I figured sunset would work just as well). I got very inspired to start it while visiting my step-daughter and her family in Texas for Christmas, and I got much more done than I expected to.

I'm using a new sanded pastel paper named after Brenda Mattson and made by Richeson. They have four colors, which are much like Colourfix colors, but the paper is much rougher. It eats pencils way more than Colourfix does! I'm using the dark gray color for this painting and Prismas, plus brushes for blending. I have only just begun and I'm kind of jumping around rather than following my usual routine of almost completing small parts individually. The cup needs tons of work. You can see the gray of the paper where there is no pencil (which gets confusing around the cup, since there are so many grays in the cup).

I don't like how the napkin looks yet. I'm trying to get a smooth look and smooth transitions from one value to another but it is proving to be difficult. I think this paper may definitely be better for pastels than pencils, but it was yet another experiment.

Originally, I designed this painting to be 6" x 12", but then realized that it would cost me a small fortune to get it framed, so I thought I might try to turn it into an 11" x 14". Don't know what size it will end up as though.

First time trying this kind of composition so C&C's are welcome!

Friday, January 2, 2009

Two completed Pieces!!

Hey everyone, Merry Christmas and Happy New Year!! Hope all of you had a wonderful Christmas and New Year!

Believe it or not, I have finally completed some new work. I have finished the Purple Tulip, which I now officially call Welcoming the Day Break. It's all ready now for a show this month.

I have also finished an a miniature piece I call Mini-Moo. It is 3.5" x 2.5", it's all Prismacolors, and it's on green suede board.



Lots of work on more paintings as we speak!! Hope to be posting again soon.